本站原创摘要4-5
Abstract5-7
Contents7-9
Introduction9-12
1. Significance and Purpose of the Study9-10
2. Approaches to the Study10
3. Structure of the Thesis10-12
Chapter One Theoretical Basis:Deconstruction12-20
1.1 Background of Deconstruction12-13
1.2 Origin of the Word "Deconstruction"13-14
1.3 Basics of Deconstruction14-20
1.3.1 Definition14-16
1.3.2 Essence16-20
Chapter Two Translation from the Perspective of Deconstruction20-37
2.1 Redefining Translation20-21
2.2 Main Representatives and Their Deconstructive Translation Theories21-31
2.2.1 Jacques Derrida:Differance and Dissemination22-24
2.2.2 Walter Benjamin:Afterpfe and Pure Language24-27
2.2.3 Roland Barthes:The Death of the Author27-29
2.2.4 Michel Foucault:Deconstructing the Concept of Original29-31
2.3 Deconstructive Translation Theoriesvs.Traditional Translation Theories31-37
2.3.1 Dissemination vs.Faithfulness31-33
2.3.2 Afterpfe vs.Imitation33-34
2.3.3 Subject vs.Sle34-37
Chapter Three Sing Fish from Drowning and Its Chinese Version37-46
3.1 The Author Amy Tan37-39
3.2 Sing Fish from Drowning39-43
3.2.1 The Theme of Sing Fish from Drowning39-41
3.2.2 The Story of Sing Fish from Drowning41-42
3.2.3 Comments on Sing Fish from Drowning42-43
3.3 Cai Jun's Chinese Version43-46
3.3.1 The Transwriter Cai Jun43-44
3.3.2 The Chinese Version44-46
Chapter Four Analysis of Cai Jun's Chinese Version from the Perspective ofDeconstructive Translation Theories46-81
4.1 Transwriting:a Deconstructive Translating Approach46-54
4.1.1 Transwriting-Overturning "Faithfulness"47-49
4.1.2 Transwriting-Producing the Afterpfe of the Original49-52
4.1.3 Transwriting-Highpghting the Subjective Role of the Translator52-54
4.2 Cai Jun's Version-Overturning "Faithfulness"54-70
4.2.1 Rearrangement54-62
4.2.2 Domestication62-65
4.2.3 Amppfication65-67
4.2.4 Elppsis67-70
4.3 Cai Jun's Version-"Afterpfe" of Amy Tan's Version70-74
4.3.1 Continuation of the Life of the Originnal70-72
4.3.2 Transcendency of the Original72-74
4.4 Cai Jun-Subject of Translation74-81
4.4.1 Addition of Psychological Suspense Elements75-78
4.4.2 Incorporation of His Own Writing Habits78-81
Conclusion81-83
Acknowledgements83-84
Bibpoography84-88
Appendix88